When we started designing the Christ Over Nations collection, we didn’t just want to make another shirt — we wanted to create something that carried both cultural pride and spiritual truth.
After spending time exploring the different names of Jesus across languages, we were struck by how powerful His name truly is — and how beautifully it’s represented around the world. The name of Jesus transcends culture, yet it’s spoken in every tongue, written in every script, and embraced by believers from every nation.
As someone who works mostly in English typography, I realized that what I thought “looked right” in Korean didn’t always feel authentic to native readers. That process taught me a lot about cultural nuance — and the importance of designing with people, not just for them.
Growing up Korean American, I (Dan) always felt a unique balance — having deep pride in my Korean heritage while also identifying strongly as an American. I realized how naturally people carry that same duality — holding onto their nationality while celebrating their faith. That became the spark for Christ Over Nations.
I’ve always loved the simplicity and boldness of streetwear — especially box logo tees from brands like Supreme and Kith. They make strong, minimal statements that feel both modern and timeless. So, with my background as a designer and DJ’s Samoan roots, we decided to blend that streetwear aesthetic with the beauty of cultural representation — starting with Korea and Samoa.
When I began designing, I first looked to each nation’s flag for inspiration. I quickly learned that not all countries allow their flags to be modified or commercialized, which challenged me to think creatively. I used the flag only as a starting point — pulling inspiration from its colors, symbols, and stories — and then building something new that still honored the nation it represented.
For the Korea design, one memory stood out: the traditional sam taeguk (three-color) fan my mom always had hanging in our home — blue, red, and yellow swirling together. It was something I grew up seeing every day, a simple yet powerful reminder of Korean culture. I knew right away that this had to influence the design.
Even the typography became a journey of its own. I tested countless fonts, reaching out to family and friends in Korea to get their thoughts. As someone who works mostly in English typography, I realized that what I thought “looked right” in Korean didn’t always feel authentic to native readers. That process taught me a lot about cultural nuance — and the importance of designing with people, not just for them.
So, with my background as a designer and DJ’s Samoan roots, we decided to blend that streetwear aesthetic with the beauty of cultural representation — starting with Korea and Samoa.
This whole project has been more than design work — it’s been a blessing. It’s opened our eyes to how vast and beautiful the global body of Christ truly is. Every time we design a new country, we’re reminded that His name is declared in every language, across every border.
Our hope is that the Christ Over Nations line continues to celebrate that — honoring each culture while boldly declaring the same name: Jesus.
If you don’t see your country represented yet, we’d love to hear from you. Click here to request a country, and help us continue spreading His name across every nation.